Iike Sony as a distributor, but in terms of making the movies, I think Stage 6 films all have the same liberties taken, in that they just don't have the time and care spent on them that they should have. PW and MM for example, were both shot on Super 16 to save money, but also the shooting schedules were very short, leaving little time for coverage (and again without eough cameras to get coverage). It then leaves you little option in editing, and is also a reason why Seagal has a stand in (and also doesn't actually feature WITH Lance Henrikson- the'yre in the same scene but clearly filmed it different days). I just think that Reine and Dolph as directors had to make too many sacrifices, and in fairness, both did very well to deliver good action flicks. Though it's also good to see those two filmed in the states, the trouble there is, crews are more expensive and thus smaller. MM had a tiny crew- Dolph had to make a hell of a lot of cuts to be able to deliver enough action in the flick, and also couldn't afford a stunt double.
This is where NU Image are a better company. Director Of Photography Ross Clarkson (Undisputed 2, The Mechanik) says Nu Image let him have any equiptment he wants. They also film in Eastern Europe meaning bigger, cheaper crews, longer days, longer shoots. Dolph had a proper stunt team in the Mechanik for example, that he didn't have in MM. Pistol Whipped of course had less holding it back, simply because the budget was 10 million, while MM was 2 million. For me Nu Image make better action films than Sony do at the moment, because they have a better ethos, and don't have people like Andrew Stevens working with them.