Getting the Point Across

John DeFooty

New Member
Many of the greatest actors operate on the Buddhist principle "less is more" whether they know it or not. So much of Sensei's work on film over the past decade or so (you could probably stretch that back a little further) has been accomplished with minimal emotive effort. A lot of his finest moments have passed without any dialogue even. And yet, as with the finest stage presences, we always get the point.

I've got my own personal gem collection but I was wondering if anybody out there has put together his/her own collection of Sensei's most menacing screen moments. Thanks.

P.S. I found a copy of Glimmer Man next to Orson Welle's Macbeth at the airport in Amsterdam, both priced at €7.99!
 
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