gunslinger
Member
Howdy,
Not sure who this will will interest but as a projectionist I found it noteworthy. Through correspondence with Danny Nowak, the cinematographer on Belly Of The Beast, I found out the film was shot in the 1.85:1 frame, e.g. Widescreen or as American projectionists call it, Flat.
Sure would be nice to see a Seagal movie in Cinemascope again like Exit Wounds or The Patriot.
Not sure who this will will interest but as a projectionist I found it noteworthy. Through correspondence with Danny Nowak, the cinematographer on Belly Of The Beast, I found out the film was shot in the 1.85:1 frame, e.g. Widescreen or as American projectionists call it, Flat.
Sure would be nice to see a Seagal movie in Cinemascope again like Exit Wounds or The Patriot.