Favourite Seinfeld moment?
- Thread starter yudansha
- Start date
Yeah, right!
Along with the food and bar behind the other curtain, and the gambling table behind the other.
Only for those *special* patients!yudansha said:Yeah, Serena that was the classic George! And when he came to the hospital and the nurses were giving massages behind the curtains right next to him... Is it like that in every hospital?
Along with the food and bar behind the other curtain, and the gambling table behind the other.
Much better than a Jerry, a George, or even a Kramer!yudansha said:I am yudansha, and I am the master of my domain (for how long is a different question). How's that?
Speaking of hospitals--sort of
--remember the episode where Jerry and Kramer are watching an operation, and the Junior Mint gets lost--in the patient! 
yudansha
TheGreatOne
I remembered when you said "watching the operation"
LOOOOOOOL now THAT was great!
JERRY: ...Over the balcony, bounced off some respirator thing *into* the patient!
GEORGE: What do you mean "into the patient"?
JERRY: Into the patient, *literally*!
GEORGE: Into the hole?
JERRY: Yes, the hole!
GEORGE: Didn't they notice it?
JERRY: No!
GEORGE: How could they not notice it?!?
JERRY: Because it's a little mint. It's a *Junior* Mint.
GEORGE: W-ca-What did they do?
JERRY: They sealed him up with the mint inside.
GEORGE: They *left* the Junior Mint *in* him?
JERRY: Yes!
GEORGE: I-I guess it can't hurt him... People eat *pounds* of those things.
JERRY: Yes they *eat* them. They don't put them next to vital organs in their abdominal cavity!
JERRY: Why did you force that mint on me? I told ya I didn't want the mint!
KRAMER: Well, I didn't believe you.
JERRY: How could you not believe me?!?
KRAMER: Well who's gonna turn down a Junior Mint? It's chocolate, it's peppermint-- it's *delicious*!
JERRY: That's true.
KRAMER: It's very refreshing!
JERRY: Well, just don't say anything about this to Elaine...
[Elaine enters the apartment, looking forlorn and morose...]
ELAINE: Prognosis... negative.
JERRY: Prognosis *negative*!?
ELAINE: He's not doing well, the doctors don't know what it is. They're baffled.
JERRY and KRAMER: Oh, my God...
ELAINE: Just my luck, y'know... just when he's getting thin and attractive. Y'know Jerry, you should buy some of his art. That would really lift his spirits.
GEORGE: It's that bleak? (pours a glass of milk)
ELAINE: Mmm... (Elaine goes to the bathroom)
GEORGE: Y'know if the guy dies, the art could really be worth something...
JERRY: We gotta confess.
KRAMER: Really?
JERRY: Yes!
KRAMER: We could be tried for murder...
JERRY: I can't have this on my conscience. We're like Leopold and Loeb! **
KRAMER: You're not gonna say anything, you got that?
JERRY: I'm telling and you can't stop me!
Also from that episode:
JERRY: What, you rented "Home Alone"?
GEORGE: Yeah.
JERRY: I thought you saw that already...
GEORGE: No, I saw "Home Alone II".
JERRY: Oh, right... But you *hated* it!
GEORGE: Well I was lost, I never saw the first one. By the way, you mind if I watch it here?
JERRY: What for?
GEORGE: Because if I watch it at my apartment I feel like I'm not doing anything. If I watch it here, I'm out of the house; I'm doing something.
LOOOOOOOL now THAT was great!
JERRY: ...Over the balcony, bounced off some respirator thing *into* the patient!
GEORGE: What do you mean "into the patient"?
JERRY: Into the patient, *literally*!
GEORGE: Into the hole?
JERRY: Yes, the hole!
GEORGE: Didn't they notice it?
JERRY: No!
GEORGE: How could they not notice it?!?
JERRY: Because it's a little mint. It's a *Junior* Mint.
GEORGE: W-ca-What did they do?
JERRY: They sealed him up with the mint inside.
GEORGE: They *left* the Junior Mint *in* him?
JERRY: Yes!
GEORGE: I-I guess it can't hurt him... People eat *pounds* of those things.
JERRY: Yes they *eat* them. They don't put them next to vital organs in their abdominal cavity!
JERRY: Why did you force that mint on me? I told ya I didn't want the mint!
KRAMER: Well, I didn't believe you.
JERRY: How could you not believe me?!?
KRAMER: Well who's gonna turn down a Junior Mint? It's chocolate, it's peppermint-- it's *delicious*!
JERRY: That's true.
KRAMER: It's very refreshing!
JERRY: Well, just don't say anything about this to Elaine...
[Elaine enters the apartment, looking forlorn and morose...]
ELAINE: Prognosis... negative.
JERRY: Prognosis *negative*!?
ELAINE: He's not doing well, the doctors don't know what it is. They're baffled.
JERRY and KRAMER: Oh, my God...
ELAINE: Just my luck, y'know... just when he's getting thin and attractive. Y'know Jerry, you should buy some of his art. That would really lift his spirits.
GEORGE: It's that bleak? (pours a glass of milk)
ELAINE: Mmm... (Elaine goes to the bathroom)
GEORGE: Y'know if the guy dies, the art could really be worth something...
JERRY: We gotta confess.
KRAMER: Really?
JERRY: Yes!
KRAMER: We could be tried for murder...
JERRY: I can't have this on my conscience. We're like Leopold and Loeb! **
KRAMER: You're not gonna say anything, you got that?
JERRY: I'm telling and you can't stop me!
Also from that episode:
JERRY: What, you rented "Home Alone"?
GEORGE: Yeah.
JERRY: I thought you saw that already...
GEORGE: No, I saw "Home Alone II".
JERRY: Oh, right... But you *hated* it!
GEORGE: Well I was lost, I never saw the first one. By the way, you mind if I watch it here?
JERRY: What for?
GEORGE: Because if I watch it at my apartment I feel like I'm not doing anything. If I watch it here, I'm out of the house; I'm doing something.
That was great seeing all that dialogue, Yudansha!! I haven't watched many of these episodes in a while, and I tend to forget some of the funniest lines!
Yes they *eat* them. They don't put them next to vital organs in their abdominal cavity.
I'm still laughing out loud here. LOLOL
I haven't watched many of these episodes in a while, and I tend to forget some of the funniest lines! Yes they *eat* them. They don't put them next to vital organs in their abdominal cavity.
I'm still laughing out loud here.
LOLOL
yudansha
TheGreatOne
who's gonna turn down a Junior Mint? It's chocolate, it's peppermint-it's *delicious*
That's the line they use to advertise this episode. I still haven't started watching my 4th season dvds - which would include the Junior Mint episode. They say it was one of their biggest seasons.
Season 4:
The Trip(1)
The Trip(2)
The Pitch
The Ticket
The Wallet
The Watch
The Bubble Boy
The Cheever Letters
The Opera
The Virgin
The Contest
The Airport
The Pick
The Movie
The Visa
The Shoes
The Outing
The Old Man
The Implant
The Junior Mint
The Smelly Car
The Handicap Spot
The Pilot(1)
The Pilot(2)
That's the line they use to advertise this episode. I still haven't started watching my 4th season dvds - which would include the Junior Mint episode. They say it was one of their biggest seasons.
Season 4:
The Trip(1)
The Trip(2)
The Pitch
The Ticket
The Wallet
The Watch
The Bubble Boy
The Cheever Letters
The Opera
The Virgin
The Contest
The Airport
The Pick
The Movie
The Visa
The Shoes
The Outing
The Old Man
The Implant
The Junior Mint
The Smelly Car
The Handicap Spot
The Pilot(1)
The Pilot(2)
yudansha
TheGreatOne
Pilot
When George and Jerry introduce the idea of creating their own sit-com show. It is also (I think) the episode when George gets too much of a cleavage look of the daughter of the guy who was to make the show happen.
Or maybe it's when the Japanese come to visit (since Jerry is apparently a big star there).
When George and Jerry introduce the idea of creating their own sit-com show. It is also (I think) the episode when George gets too much of a cleavage look of the daughter of the guy who was to make the show happen.
Or maybe it's when the Japanese come to visit (since Jerry is apparently a big star there).
yudansha
TheGreatOne
Just finishing watching Season 3.
It's laughter out loud all over the place!
Beginning of "The Good Samaritan" (if you're not familiar, just read the whole excerpt below... it's just the best show!)
JERRY: Oh my God! You won't believe what I just saw! A car just bashed into a parked car, and sped off, right on my block!
ELAINE: You gotta follow that car!
JERRY: What?
ELAINE: You can't let him get away with that!
JERRY: Elaine, the guy could be dangerous.
ELAINE: What are you, yellow?
JERRY: I'm not yella. (In a cowboy voice)
ELAINE: Jerry, if you don't follow him, you're yella.
JERRY: Wait, he stopped, he's parking.
ELAINE: What? What? I can't hear you. Jerry?
[Scene moves outside where Jerry get out of his car to confront other driver, who as they come out of their car, is an attractive woman]
JERRY: Uh, excuse me, uh, I was uh, driving behind you, uh, a few blocks back, and I, I couldn't help, uh, maybe you didn't realize, uh, I witnessed that, uh, um, you're tire's a little low. That can affect the performance of the twin high-beam suspension, not to mention your rack and pinion steering.
(They both smile flirtatiously at each other)
[Scene moves to Jerry's apartment where Jerry and George are talking by the table]
JERRY: So I wound up going out for a decaf cappuccino with her.
GEORGE: Boy! What a story! I'm speechless. Speechless. I have no speech.
...
(Intercom buzzes, Jerry presses the button)
JERRY: Yep.
ELAINE: It's me!
JERRY: Come on up.
(Jerry unlocks and opens door)
JERRY: By the way, Elaine does not need to know about anything.
GEORGE: Hey, hey, hey! I dig.
(George walks into kitchen and opens cupboard to get cups)
JERRY: Oh, you dig?
GEORGE: Yes! I see enormous potential here.
JERRY: Why?
(George pours two cups of milk)
GEORGE: Because great couples always have a great story about how they met. That's why I've never been in a long term relationship. I've never had a good meeting story.
JERRY: I wonder if I'm nuts for pursuing this woman at all.
GEORGE: I don't think so.
JERRY: Look, she slammed into a parked car! She took no responsibility for mutilating the property of a stranger, then she sped off like a criminal!
(Jerry takes a drink of his milk while both remain silent)
JERRY: On the other hand, does that mean she should never be allowed to date again? You scratch one car and you're forbidden to have social contact for the rest of your life?!
(Jerry looks at his cup in disgust)
JERRY: What am I drinking, milk?
(Elaine enters, hanging up her jacket)
ELAINE: Hey!
JERRY: Hi.
(Elaine tosses a sweater to Jerry)
ELAINE: Sweater.
JERRY: Thank you.
ELAINE: So? What happened?
(Jerry starts walking away)
JERRY: With that?
ELAINE: With the car!
JERRY: What car?
ELAINE: The hit and run!
JERRY: Oh, right, right, right, right, right, right, right, the hit and run. Well. Actually, the guy went into Queens.
ELAINE: Queens?! You followed him over the bridge?
JERRY: Over the bridge. (Making a pointing motion with his hand)
(George walks out of the kitchen)
GEORGE: Oh, well I didn't know you went into Queens Jerry.
JERRY: Yeah, Queens.
ELAINE: So? Then what?
JERRY: So he gets out of the car, I say, "Hey buddy! I saw you hit that car!" So he says to me, "What are ya gonna do about it?"
(Elaine gasps)
JERRY: So I said to him, "Whatever's necessary."
(Elaine stutters with her mouth open in amazement)
ELAINE: I am speechless. I am without speech.
GEORGE: Tell her about the shoving.
JERRY: What?
(George smiles pointing at him)
ELAINE: What shoving?!
JERRY: Oh, it was nothing.
GEORGE: No! Tell her.
(Jerry looks at George with a grin)
JERRY: Well he kinda lost his temper, and he was pushing me up against the car. So I went into a karate stance.
(Jerry assumes karate position and does two punches)
ELAINE: You know karate??
JERRY: I know a little.
ELAINE: Well, this is so, amazing to me! Jerry what did do?
JERRY: He backed off. Pretty pathetic actually.
(Kramer enters)
KRAMER: Hey! (Group does likewise)
ELAINE: Did you tell Kramer?
JERRY: Ah, nah! (Waving his hand and walking away)
KRAMER: What? What? What? Tell me.
ELAINE: Jerry saw this guy crash into a car, and he followed him.
(Jerry looks at Kramer and raises both his arms smiling)
KRAMER: Good for you! What kind of a sick lowlife would do a thing like that? You know those people, you know they're mentally disturbed. (Pointing a finger at Jerry)
KRAMER: They should be sent to Australia.
(Jerry has a confused look)
JERRY: Australia?
KRAMER: Yeah, yeah, that's where England used to send their convicts.
JERRY: But not anymore.
KRAMER: No?
... (end of intro part)
It's laughter out loud all over the place!
Beginning of "The Good Samaritan" (if you're not familiar, just read the whole excerpt below... it's just the best show!)
JERRY: Oh my God! You won't believe what I just saw! A car just bashed into a parked car, and sped off, right on my block!
ELAINE: You gotta follow that car!
JERRY: What?
ELAINE: You can't let him get away with that!
JERRY: Elaine, the guy could be dangerous.
ELAINE: What are you, yellow?
JERRY: I'm not yella. (In a cowboy voice)
ELAINE: Jerry, if you don't follow him, you're yella.
JERRY: Wait, he stopped, he's parking.
ELAINE: What? What? I can't hear you. Jerry?
[Scene moves outside where Jerry get out of his car to confront other driver, who as they come out of their car, is an attractive woman]
JERRY: Uh, excuse me, uh, I was uh, driving behind you, uh, a few blocks back, and I, I couldn't help, uh, maybe you didn't realize, uh, I witnessed that, uh, um, you're tire's a little low. That can affect the performance of the twin high-beam suspension, not to mention your rack and pinion steering.
(They both smile flirtatiously at each other)
[Scene moves to Jerry's apartment where Jerry and George are talking by the table]
JERRY: So I wound up going out for a decaf cappuccino with her.
GEORGE: Boy! What a story! I'm speechless. Speechless. I have no speech.
...
(Intercom buzzes, Jerry presses the button)
JERRY: Yep.
ELAINE: It's me!
JERRY: Come on up.
(Jerry unlocks and opens door)
JERRY: By the way, Elaine does not need to know about anything.
GEORGE: Hey, hey, hey! I dig.
(George walks into kitchen and opens cupboard to get cups)
JERRY: Oh, you dig?
GEORGE: Yes! I see enormous potential here.
JERRY: Why?
(George pours two cups of milk)
GEORGE: Because great couples always have a great story about how they met. That's why I've never been in a long term relationship. I've never had a good meeting story.
JERRY: I wonder if I'm nuts for pursuing this woman at all.
GEORGE: I don't think so.
JERRY: Look, she slammed into a parked car! She took no responsibility for mutilating the property of a stranger, then she sped off like a criminal!
(Jerry takes a drink of his milk while both remain silent)
JERRY: On the other hand, does that mean she should never be allowed to date again? You scratch one car and you're forbidden to have social contact for the rest of your life?!
(Jerry looks at his cup in disgust)
JERRY: What am I drinking, milk?
(Elaine enters, hanging up her jacket)
ELAINE: Hey!
JERRY: Hi.
(Elaine tosses a sweater to Jerry)
ELAINE: Sweater.
JERRY: Thank you.
ELAINE: So? What happened?
(Jerry starts walking away)
JERRY: With that?
ELAINE: With the car!
JERRY: What car?
ELAINE: The hit and run!
JERRY: Oh, right, right, right, right, right, right, right, the hit and run. Well. Actually, the guy went into Queens.
ELAINE: Queens?! You followed him over the bridge?
JERRY: Over the bridge. (Making a pointing motion with his hand)
(George walks out of the kitchen)
GEORGE: Oh, well I didn't know you went into Queens Jerry.
JERRY: Yeah, Queens.
ELAINE: So? Then what?
JERRY: So he gets out of the car, I say, "Hey buddy! I saw you hit that car!" So he says to me, "What are ya gonna do about it?"
(Elaine gasps)
JERRY: So I said to him, "Whatever's necessary."
(Elaine stutters with her mouth open in amazement)
ELAINE: I am speechless. I am without speech.
GEORGE: Tell her about the shoving.
JERRY: What?
(George smiles pointing at him)
ELAINE: What shoving?!
JERRY: Oh, it was nothing.
GEORGE: No! Tell her.
(Jerry looks at George with a grin)
JERRY: Well he kinda lost his temper, and he was pushing me up against the car. So I went into a karate stance.
(Jerry assumes karate position and does two punches)
ELAINE: You know karate??
JERRY: I know a little.
ELAINE: Well, this is so, amazing to me! Jerry what did do?
JERRY: He backed off. Pretty pathetic actually.
(Kramer enters)
KRAMER: Hey! (Group does likewise)
ELAINE: Did you tell Kramer?
JERRY: Ah, nah! (Waving his hand and walking away)
KRAMER: What? What? What? Tell me.
ELAINE: Jerry saw this guy crash into a car, and he followed him.
(Jerry looks at Kramer and raises both his arms smiling)
KRAMER: Good for you! What kind of a sick lowlife would do a thing like that? You know those people, you know they're mentally disturbed. (Pointing a finger at Jerry)
KRAMER: They should be sent to Australia.
(Jerry has a confused look)
JERRY: Australia?
KRAMER: Yeah, yeah, that's where England used to send their convicts.
JERRY: But not anymore.
KRAMER: No?
... (end of intro part)