The change of location, and use of it, helps this film. It doesn't look as confined or as grey as the Eastern European-shot films. There's a real feel for the local colour.
The plot is not the most original on Earth, but what there is is handled in a clean, uncomplicated, straightforward fashion, and this helps to drive the film. The script is not bad, as it takes its opportunity to create reasonable characters. I was particularly impressed with Byron Mann, playing Seagal's sidekick. He has a nice character dynamic and one is genuinely upset when he buys it at the end of the film. The introduction of the magic reminded me a little of MARKED FOR DEATH, and I'm not sure it was necessary. The film was moving along nicely without it, and it had a "thrown-in" quality rather than coming from the story.
The director does a better job of hiding the stunt doubles for Steven, but also manages to showcase Steven's skills as well. Not particularly fond of people flying 20 feet through the air when hit, but I guess that's the style the director wanted to use.
The obvious dubbing of Steven by another actor in certain scenes is also rather off-putting. I'm not going to bitch about Steven's weight, but it is more noticeable here. Overall, despite some flaws, BELLY OF THE BEAST is easily better than Seagal's most recent outings.
CLEMENTINE is next.