Where do i start, pointing out the many problems, this movie has?
First off.....the plot. I've come to expect over-complex plot points in
recent Seagal movies, but in KILL SWITCH it's not overly complex....it
just doesn't make any sense. The flashback to Seagal as a child
(witnessing his brothers murder) serve little purpose to the storyline,
but i guess they help pad out a few minutes of screen time. And believe
me, this movie felt padded. It doesn't even have the (so-bad-it's good)
camp value of ATTACK FORCE.
Secondly....The editing. This was some throwback to the days of
film-making in the 80's. Occasionly, Jackie Chan (or Tony Jaa) may
employ this 'repeated' camera angle stuff, but it's usually to
highlight an extremely choreographed fight move or stunt. In KILL
SWITCH however, it once again feels like padding (and given that it
runs throughout the movie, it feels like it's makers have only got 45
minutes of actual footage, and therefore NEED to show everything twice,
thrice and even ten times) Seagal is chasing a suspect at one point,
and he comes to a doorway. The viewer is treated to about 20 different
shots/alternative angles of this 'monumental' moment.
Thirdly.....The fights. To me it seems that Seagal was not trying to
make a martial arts movie at all. Apparently, the makers of KILL SWITCH
attempted to beef up (what would usually be a four second fight scene)
with extra stuff involving stunt doubles. This is all the more
annoying, because Seagal's actual fighting is better than his stunt
doubles. The final fight (against the serial killer) is all Seagal (and
it shows) it's quick, brutal and efficient. Yet all fights before it,
are heavily padded out with lazy punches, reversed shot of Seagal
(sometimes wearing a different jacket, because it came from another
scene) URBAN JUSTICE and PISTOL WHIPPED have proved that Sensei Seagal
can still mix it up as a fighter. But these shoddy film-makers are
tarnishing his rep, with these underhanded tactics. It(in turn) makes
Seagal look weak, as he'd usually demolish his opponents in 5 seconds
(such is why we like the guy) but here, the 'padding'implies that
Seagal can punch a guy 30 times (in the face) and STILL not put him
down. And i also want to see Seagal break an opponents arms and legs
with HIS hands....not a hammer. Don't even get me started on the shoddy
(couldn't hit a guy two feet in front of him) gunfights.
Finally...Steven Seagal. He actually puts in a good performance (once
you get over the 'southern' drawl) and looks in good (allbeit heavy)
shape. He rarely mumbles, and seems genuinely interested with the
project (unlike say...FLIGHT OF FURY?)
KILL SWITCH is a step back for Seagal (just as he was regaining some
well needed credibility) after URBAN JUSTICE and PISTOL WHIPPED.
Although the movie is U.S lensed, is well lit, and crisp
cinematography, the god-awful (quick cut, repeated shot) editing, and
unnecessary doubling, betray whatever potential this movie may have
had. The supporting cast is OK (Rest in peace Issac Hayes) and the
music is quite good also. Now that (it seems) Seagal is regaining his
passion for acting again, he needs to associate with better film-makers
in the future. His next movie RUSLAN is also directed by Jeff King
(director of this) so i won't be (honestly) expecting anything special
of that one. But as long as they don't start interfering and chopping
up their filmed product, it won't need to be great to be better than
this movie. My theory on KILL SWITCH is that they've only had limited
screen time with Seagal, and (hopefuly?) HAD to cut and paste this
movie, to pad it out. If they think that repeatedly showing a guy fall
out of a window 12 times, or making pointless scenes last four times
longer than needed to be....is cutting edge film-making then (to quote
Seagal) "Lord have mercy")
Big Lee gives this movie a 5 (only for Seagal's screen presence, and a
OK final fight scene)